A collection of 50 trade books, one for each State, composed with found photographs of foreclosed properties gathered from real estate digital galleries. A documentary attempt based on real(i)ty.
Under foreclosure (from Latin foris "outside" and claudere "to shut") indirectly raises the weird, alienating hypothesis that America's reality might have been shut out of itself.
We accumulate our stuff in storage units, ship it in containers, stock our life in photographs, the photographs pile up in data servers... This is an ongoing series about the aesthetic of sheer accumulation, each image/assemblage consisting of a potentially infinite expanse of pictures of storage spaces, gathered from the internet, the ultimate storage infrastructure.
An all literal interpretation of boredom. Edited from youtube videos.
"The fact is, I like boring things. They make such lovely holes." Vanessa Place
This is a long-term documentary project about transitional spaces and states. The first chapter of it is a 15 minutes video, The Tower and The Well, dedicated to a transitional housing community providing shelter, food and other support services to homeless population in North Houston, Texas.
The Barrio Arcoiris is a social neighborhood of prefabricated houses in Navarro's suburbs, Buenos Aires Province. The roads to get there are dirt tracks without sidewalks. From a distance, it looks like a mock up town, surrounded by the pampa’s vast and flat open fields. Some of the houses are unoccupied yet, with shuttered windows and the door locked with adhesive tape. The inhabitants are rural workers, truck drivers, teachers, cleaning maids or unemployed.
Photographs taken by anonymous people from Normal, Illinois and collected from Facebook public galleries. An ongoing inquiry into normality, "a kind of constant leakage of the normal level of reality" (A. Artaud).
Photographs taken within one day, on a 27 exposures disposable camera.
Totum diem meum scrutor.
Digging real estate galleries for photographs of foreclosed properties, I noticed a recurrent feature: trees, painted or wallpapered, as decorative interior motive. There they remain, after everything else has been removed, as a sadly ironic metaphor of the uprooting endured by those who "planted" them.